星球发行

Tool introduction:

星球发行It is to see Music's "Global Music Full Link Service Platform", which solves the industry pain points of "musicians/labels have few global distribution channels, opaque royalty settlement, and difficult copyright management." Relying on the self-developed intelligent distribution system (in line with international DDEX standards), the platform can efficiently connect to 400+ music channels around the world (including domestic QQ Music, Netease Cloud Music, Douyin, overseas Spotify, iTunes, YouTube, etc.), achieving the fastest 24 hours. Launched globally, covering approximately 95% of music fans. At the same time, it provides integrated solutions such as copyright claim, royalty splitting, multi-currency settlement, and promotion services. It has served individual creators such as Wang Jiaer and Zhang Yilin, as well as well-known label brands such as Hillsong, Monstercat, and Perfect Youth OST, helping works reach the top of the global list (such as Wang Jiaer's album landing on 67 global lists), releasing the commercial value of music copyright.

Core functions:

• Free global music distribution :
  • Wide channel coverage: Free shipping on 400+ channels around the world, including streaming media (Spotify, QQ Music), social platforms (Douyin, Facebook), video platforms (YouTube, Station B), hardware terminals (Huawei Music, Car Music), etc.;
  • Coding and timeliness: Free access to international standard ISRC codes (audio-visual product identification) and national EAN codes (product identification), global shelves can be completed in 24 hours at the earliest, and free choice of authorized areas and distribution channels is supported;
  • Multi-type content distribution: Support the distribution of three types of content such as singles, albums, and MVs, and adapt to different music communication needs (such as single water test and systematic promotion of albums).
• Multi-role customized service :
  • Individual creators: Provide musicians, lyricists, producers, etc. with work distribution, revenue sharing, and promotion discounts (such as participating in activities and receiving "drum pack" material packages) to lower the threshold for individuals to go abroad;
  • Company/institution: Provide independent labels and record companies with sound recording management, artist management, and royalty debiting functions to assist digital transformation (such as the overseas distribution of more than 100 film and television soundtracks of Perfect Youth OST);
  • Publishers/integrators: Provide professional technical services such as DDEX/API data transmission, royalty split reporting, and global multi-currency settlement to meet large-scale copyright management needs.
• Copyright management and commercial monetization :
  • Royalty claim: Support free claim of recording royalties, song royalties, and neighboring rights royalties. It can trace past copyright revenue and cover 36 types of commercial scenarios such as radio, television, and cover songs to avoid loss of revenue;
  • Commercial authorization: Non-exclusive cooperation model, creators can freely choose sales areas and scenarios, instantly view sales data, and realize "music + business" connection (such as Monstercat Electronic Music Factory's commercial copyright agent in China);
  • Copyright rights protection: Assist in handling the claims and returns of infringing works (such as safeguarding rights for Shirfine and tracing the proceeds) to protect the legitimate rights and interests of copyright owners.
• Data and settlement support :
  • Transparent data report: Provide monthly income report, data trend analysis, audience portraits (such as region, preferences) to help creators/labels gain insight into market feedback;
  • Multi-currency settlement: Support multi-currency payments such as RMB, U.S. dollars, and euros, support global account settlement, withdraw cash at any time, and solve cross-border capital flow problems.
• Promotion and promotion service empowerment :
  • Personalized promotion: Provide streaming media recommendation spots for high-quality works, social media interviews (such as Zhang Yilin's original soundtrack of "The World of the World", which was strongly promoted on 1064 platforms), and secondary platform certification (such as Japanese band fhána entering Station B);
  • Activities and discounts: Participating creators can receive coupons for commercial materials, discounts on promotional services, and jointly launch special plans (such as "SA REMIX Plan: Fantasy Day" to help artists explore the global market).

Usage scenarios:

• Individual musicians go out to sea : After independent musicians complete the production of single, they can obtain the ISRC code for free through the platform, choose to put it on Spotify (overseas) and Netease Cloud Music (domestic), launch it globally 1 day later, and check different channels the next month. Revenue report;
• Brand copyright management : Record companies upload their artist albums (including MV's) to the platform, set the authorization area to "global", connect the platform to YouTube, TikTok and other channels, and distribute artist and company revenue through the royalty splitting function;
• Film and television soundtrack distribution : Film and television companies (such as Perfect Youth OST) authorize OSTs such as "Qingya Ji" and "Thirty Years Only" to the platform, and the platform will complete overseas omni-channel coverage and expand the derivative value of film and television IP;
• Traceability of copyright revenue : The musician discovers that the old work has been used without authorization, so he submits the work information through the platform's "royalty claim" function to trace the income from radio broadcasting, cover use, etc. in the past three years, and completes the confirmation and collection of rights;
• Overseas brands enter China : Japan's Avex Group provides artist Josh Cumbee with China publicity services through the platform, including Weibo musician certification and QQ music recommendation spots, quickly opening up the China market.

Applicable population:

• Individual music creators : musicians, lyricists, composers, performers, producers, etc., individuals who need low thresholds to achieve global distribution of their works and monetization of profits;
• Music labels/record companies : Independent labels, brokerage companies, film and television OST labels (such as Perfect Youth), organizations that need to manage works, artists and royalties on a large scale;
• Copyright issuing/management organization : copyright agencies, music distributors, industry service providers that require professional technical services (such as DDEX transmission, multi-currency settlement);
• Overseas music entities : Overseas labels (such as Hillsong, Monstercat), publishers (such as Sound Republica), international customers who need to enter the China market or expand global channels;
• Brands that need commercial music : Companies that need to use music materials in compliance (such as advertising soundtrack, public music) can obtain authorization through the platform to connect with copyright owners.

Unique advantages:

1. Channel coverage is industry-leading : Connect with 400+ channels around the world, covering 95% of music fans. Compared with similar platforms, there is no need to connect each channel one by one, greatly improving distribution efficiency;
2. Lower the threshold for free basic services : Free shelves and free access to core codes, individual creators can start global distribution at zero cost, breaking the high cost barrier of traditional distribution;
3. Full-link copyright management : From distribution and promotion to royalty claim and rights protection, it solves the "distribution-monetization-protection" needs of music copyright in a one-stop manner, avoiding the cumbersome switching of multiple platforms;
4. Successful cases and strong credibility : Serving well-known creators such as Wang Jiaer and Zhang Yilin, as well as international brands such as Hillsong and Avex, and has won many authoritative awards such as Huawei Music and the Yangtze River Delta Cultural Expo, with high industry recognition;
5. Balancing globalization and localization : It not only supports the entry of overseas works into China (such as fhána entering Station B), but also helps Chinese music go out to sea (such as Wang Jiaer climbing the POP list of the top American District) to adapt to the needs of different regions.